Berlin, 2011. A former Stasi double agent, Ludwig Licht, who after the fall of the Berlin Wall works as a freelance problem solver and is the number one customer in the bar he owns in Kreuzberg, Berlin, is asked by his old CIA contact to come out of retirement and work one more case. The case involves the whistle-blowing organization Hydraleaks, whose leader, Lucien Gell, is currently off the grid. One of their members is on the run after three of her associates are assassinated in Morocco. Licht's old partner, Clive Barner, is now head of CIA's Berlin office and realizes the case may have major implications. Licht, who has borrowed money from gangster Pavel to uphold his bar, sees this as an opportunity to make some cash to get rid of his debt.

A young man recovers from an accident and finds five people following him everywhere. When he confronts them, they tell him that they will leave him in peace once he fulfills their wishes. As he starts doing so, he learns why they are after him.

Tells the story of one unmarried, almost thirty and pregnant Indo-Canadian woman carving out her place in the downward dog-eat-dog world of the modern day yoga craze.

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Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not. This gets her in trouble, and she is raped and killed. The police register this case as that of a suicide, and produce a note purportedly written by her that blames her mom and brother for her death. Om's girlfriend, Sandali, comes to know that his sister's death was a homicide, and this sets Om off in a wild rage to find out who the killer(s) are, and why they would commit this heinous crime; and the role of the police who claim that her death was a suicide

Indian remake of “The Omen”.

Set against the backdrop of a NYC heatwave, OM reveals the inner most thoughts that bombard a group of yoga students during their session while exploring the split decisions we make in life - as their worlds collide, the final bell rings.

Om (1986) 4 mins. Colour. Sound. 16mm. "This four minute film explores our response to stereotypes - aural, visual and ideological. Smith signals these stereotypes to the viewer through a chiefly associational system, which deftly manipulates the path of our expectations. The structure is stunningly simple and deceptively subtle. We are taken on a journey from one concrete stereotype to its diametric opposite, as images transform and juxtapose to, ultimately, invert our interpretation of what we see and hear." Gary Davis. "This is hardcore cinema." Peter Kubelka, ‘What is Film’ lecture series, London 2001.